Description
In this video, I’m walking you through the process of how I discovered these four pentatonic scales.
I started by looking at the minor pentatonic and asking myself, “What actually makes this scale special?” When I compared it to the natural minor (Aeolian) scale, I realized it was simply missing the 2nd and 6th degrees.
That got me thinking…
What if I did the same thing to Ionian? Or Lydian? Or Mixolydian? What would happen?
In this video, you’ll find out. The result is four completely new pentatonic scales that work beautifully over major, major 7, dominant 7, and even diminished harmony. More importantly, they create fresh colors, new melodic ideas, and a different way of thinking about the fretboard.
For me, the process is the most important part. I’m not just showing you new scales, I’m showing you how to discover ideas like this on your own. Try removing different notes from scales you already know and listen to what happens. You never know what you’ll discover.
Hope you enjoy the video! Don’t forget to like, subscribe, and let me know what you come up with.
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